Anacostia Playhouse welcomes you to Winter Break Acting Camp, running December 26-29. A number of you have signed up and we still have a couple of slots for those who want to join! Students will get the chance to take workshop classes with theater professionals in fields ranging from acting, improvisation, voice and music, movement, hip hop, clowning, and playwriting. The camp will culminate in a performance presentation for family and friends after camp December 29 at 4 PM, where students will present performances of what they learned throughout the camp. To register online, please fill out the form at this link:

http://www.anacostiaplayhouse.com/anacostia-playhouse-winter-holiday-theater-camp/   

Payment will be by PayPal and the button will say “Donate.”

Our teaching artists include: Sisi Read, Eirin Stevenson, Daniel Riker Molly Cohen, Gabrielle “Champ” from xCel Hip Hop group, Jon Johnson, Lee Bostic, Aimee Faulkner, and Natasha Preston.  The preliminary schedule is as follows.

December 26:

10:00-1:00 Acting

1:00- 1:30 lunch

1:30- 4:00 – Movement

December 27:

10:00 – 1:00 – Playwriting

1-1:30 – Lunch

1:30- 4:00 – Hip Hop

December 28:

10:00 -1:00 Story Telling and Improv

1:00-1:30 lunch

1:30- 4:00- acting

December 29:

10:00 – 1:00- Clowning

1:00 – 1:30 Lunch

1:30 – 4:00 – Music and Voice

In acting students will learn how to create a character, the experience of working on a scene, and how to work with other actors. In improvisation, students will learn the mechanics of acting without a script, and how to create truthful spontaneous moments on stage. In voice and music, students will learn musical theater technique, and how to use their voices in a healthy way on stage. In movement, students will learn Alexander technique, viewpoints, and Laban movement technique, and will learn hand-to-hand stage combat. In hip hop, students will learn from xCel Hip Hop professionals the history of hip hop and several choreographed hip hop routines.  For clowning, students will learn how to create a clown persona and then entertainment techniques from a professional clown. Lastly, in playwriting students will learn how to write characters and scenes, and will get a chance to write a solo work. Camp will run from 10 AM – 4 PM each day, with a half hour lunch in between workshops. We ask students to bring a bagged lunch with them. We’ll have water and snacks on hand.

Playwrights! Anacostia Playhouse is seeking new and non-produced 10-minute and one-act plays for the 2018 New Works Festival: Visions/Revisions. Selected playwrights will have the opportunity to work with a professional director and actors to prepare for the final staged reading or performance.

Play submissions should address the themes of deterioration and renovation, both physically and socially, over the course of Anacostia’s long history. Consider the many physical and social changes Anacostia has survived; from the time of the Nacochtank Native American settlement along the Anacostia River, to the founding of Union Town, to today. Your submission should address the impact of revisionist history on Anacostia and its residents.
This New Works Festival will be held November 15 – 19 at the Anacostia Playhouse located in historic Anacostia in Washington DC. The festival, featuring both ten-minute staged readings and one-act productions, is an opportunity to introduce new playwrights to Washington’s theater community and establish relationships between writers, producers and directors. All plays will be read by the Anacostia Playhouse. 10-minute plays will receive a staged reading and one-act plays will receive a full production.

Please note that, due to the high volume of submissions we receive, we are unable to respond individually to each submission or to offer feedback. You will hear from us by September 21, 2018 if your work has been accepted into the festival.

The Rules:
Submissions will be accepted June 5 – September 15. Submissions and payment must be submitted through the Anacostia Playhouse website using the form and payment button below. Please submit only new non-produced works. All plays must utilize a maximum of four actors (actors can play multiple parts).

Submission/Reading Fee:
One-Act plays: $20.
Ten-minute plays: $10.

There is no submission fee for high school students. If the submission fee causes a financial hardship please contact Adele Robey at arobey@fusemail.com for financial aid.

Happy Ending

By Douglas Turner Ward

“This ‘Happy Ending’ is fresh, funny, and bursting with song-and-dance pizzazz. Yes, song and dance! It’s hard to imagine ‘Happy Ending’ ever ending with more upbeat joy” – DC Metro Theater Arts Review by John Stoltenberg.

A long-running Off-Broadway hit, Happy Ending was written by Douglas Turner Ward, founder of The Negro Ensemble Company.

It tells of two sisters, Ellie and Vi, who work as maid and laundress for the wealthy Harrisons.  As the play begins they are sitting at the kitchen table in a tenement apartment in Harlem, lamenting the end of their good times.  Mr. Harrison has discovered his wife in an act of infidelity.

The sisters fear that if the marriage breaks up they will be both out of a job.  Their nephew, Junie, chides them for their sentiments at a time when Blacks are on the march towards liberation.

But what Vi and Ellie really fear is that the divorce threatens a cutoff in the household graft the sisters have engaged in and which has brought considerable luxury to their lives.

Happy Ending is directed by Ella Davis Artistic Director of All About the Drama Theater Group and Board Chair, Anacostia Playhouse.

About the playwright:

Douglas Turner Ward, dramatist, actor, director, and producer was born in 1930.  Guided by a burning desire to continue the legacy of W. E. B. Du Bois, Ward was determined to create theater that was primarily written by, performed for, and representative of African American people. In his plays, Ward examines a mixed bag of attitudes and stereotypes that permeate our environment both within and outside the African American community. He uses various comic conventions such as satire, farce, absurdism, and irony to attack widely divergent cultural philosophies, politics, and ethics as well as social, moral, and racial biases. Since the 1960s, the African American dramatic literature and aesthetic philosophy of Douglas Turner Ward have been highly influential.

For more information on the Negro Ensemble Company click here.

Happy Ending Performance dates and times:

Previews

August 9th, 2018 -August 10th, 2018 8PM

Shows

August 11th, 2018-August 25th, 2018

Thurs-Sat at 8PM, Sat and Sun at 3PM

For tickets, click below:

Preview show tickets

Show tickets

Review from DC Theatre Scene: https://dctheatrescene.com/2018/08/14/review-douglas-turner-wards-happy-ending-at-anacostia-playhouse/

Review from DC Metro Theater Arts: https://dcmetrotheaterarts.com/2018/08/12/review-happy-ending-at-anacostia-playhouse/

One of the most active partners of the DC Jazz Festival, East River JazzFest, founded by Vernard Gray will be playing at Anacostia Playhouse this June! This year, their performances will explore “social change” themes in celebration of the 200th anniversary of the birth of social activist Frederick Douglass and the 50th anniversary of the death of social activist Dr. Martin Luther King.  And it’s making the point that D.C. is a major jazz community, going back to Duke Ellington and even before: [pioneering 1920s bandleader] Fletcher Henderson and those people all did things here in D.C. and they were internationally renowned as well. Same with Marc, Kush, and Corcoran: They spent the last month performing in France with different ensembles. There’s clearly something in the water in D.C.!

Don’t miss this important exhibit on display now at our friend & neighbor’s Smithsonian Anacostia Community Museum!

Developed and created by Chief curator Dr. Samir Meghelli, Smithsonian’s New Exhibit A Right to the City gives us the opportunity to reflect and to gain an insight on the evolution of our nation’s capital, Washington DC.  The exhibit introduces us the stories of six Washington neighborhoods (Adams Morgan, Anacostia, Brookland, Chinatown, Shaw, and Southwest) and helps us to see how the Washingtonians have shaped our rapidly growing neighborhoods in myriad of ways and how Washington DC evolved into the neighborhood we have today.

Smithsonian Anacostia Community Mueseum:

1901 Fort Place SE
Washington DC 20020

Hours:
open daily 10:00 am to 5:00 pm
Closed December 25

ADMISSION FREE

We have partnered with CulturalDC to help promote the Mobile Art Gallery for Anacostia Community Museum! It’s a great opportunity to meet new people and artists in the community. It’s also a great way to enjoy your relaxing  Saturday with friends and family with free food and performances!

• Saturday, April 28, 2018
• No admission fee
• 12:00 PM  2:00 PM
• Anacostia Community Museum (map)

Anacostia Playhouse and the high-energy youth acting company the Laugh ‘n’ Learn Players present Pop-Up Books! A wonderful play bringing to life four fabulous tale by the young authors of Reach, Incorporated and Shout Mouse Press. We’re partnering with Reach, whose missions is to develop grade-level readers and capable leaders by preparing teens to serve as tutors and role models for younger students, resulting in improving literacy outcomes for both. Reach’s teen authors contribute to creation of more diverse children’s literature by writing stories that are engaging and relevant to the young readers they serve. This fun filled show is directed by the DMV’s own Thembi Duncan!

Don’t Miss it!

Running from Thursday, April 19th at 7:30 pm to Sunday, April 22nd at 2 pm!

Adults:$10  Kids:$5

Get your tickets here!

Kay Kendall and Jack Davies present a final opportunity for you to see Restoration Stage’s Helen Hayes Awards Recommended new musical, “The Very Last Days of the First Colored Circus.” Steven A. Butler, Jr.’s redemptive story of love, loss, and family set against the backdrop of the 1927 Charles County Fair features Miles Folley and Ayana Reed. With new songs by director Courtney Baker-Oliver and Christopher Burnett and musical directed by Broadway veteran Wilkie Ferguson, it’s a story you’ll never forget.